Andrea Pennacchi “reopens” the Odeo Cornaro

“Lets go and light-weight a candle for the saint? With elections simply across the nook, it is perhaps higher to show to the altissmo. We hope you will hearken to us », Andrea Pennacchi tells us, after all rejecting it in dialect. In any case, we’ve the appointment earlier than the basilica and are a bit late. “Or what if we’ve a spritz?” he asks very significantly. “However should not we’ve talked about theatre?” “The whole lot for the theater, it is best to know that by now,” and he bursts out laughing.

The actor is once more the inventive director of Odeo Days. A billboard that’s actually not trivial, what’s proposed, furthermore in a spot very pricey to the actor. ‘See what a spot this Cornaro has made for Ruzzante. In the midst of the sixteenth century, Cornaro, a really wealthy landowner, additionally as a result of he “sucked the Poaretti” determined to do it right here », he tells us and introduces us to this glorious room. Again then, it was widespread for the wealthy to do one thing good with all these payments, so he constructed the Odeo, the primary brick theater of the Renaissance. On the finish of the nice searching expeditions got here the reveals written by Ruzzante. Suppose how lovely. Let’s go in?”. Pennacchi at all times jokes, however he takes it very significantly. He would not deny anybody a joke, even himself one would say, however listening to the proposal of this explicit and explicit pageant, you perceive how a lot he cares this appointment, which has been repeated for a number of years, is near his coronary heart. “Look, this is this system. It is good, there are a lot of fascinating individuals. Have a look at this solid!”, he says, waving the brochure of the occasion. “The narrative one The core will at all times be what the Odeo suggests: the Renaissance in all its varieties and vocations, however after all we do it our manner,” he at all times jokes, however in case you have a look at the invoice, you notice that the proposal is sort of authentic and is of nice high quality.” We deliver you the theater downstairs, to a spot that many don’t even know. We’re all ready for you, relaxation assured that we are going to put the chairs, you simply have to return right here okay come. We’ll handle the remainder», say the Odeo Days staff. «Till Sunday we’re right here,” we’ll look ahead to you “».

September 8, 9:15 p.m
CRIMES AND PUNISHMENTS / PAOLO NORI IN DIALOGUE WITH LIA CELI AND ANDREA SANTANGELO
In a night completely devoted to literature, Lia Celi and Paolo Nori are invited to the stage of the Odeo Days for a dialogue to find the crimes, guilt and punishments – fictional or not – dedicated from the Renaissance to the the characters of Russian literature. With the free and curious steering of Andrea Pennacchi, the three authors will discuss a few of their literary productions similar to “Sanguina nonetheless” in a stimulating and imaginative manner that additionally touches on the best way the creator himself narrates. The Unimaginable Lifetime of Fëdor M. Dostojevskij” (Nori, 2021) or “The Legacy of the Borgias. A brand new survey by Marco Pellegrini ” (Celi – Santangelo, 2021) specializing in the person of yesterday and as we speak.
Information – Free entry

September 9, 9:15 p.m
ANOTHER LEAR – first research
Rooting Shakespeare in Veneto
Tailored and directed by Andrea Pennacchi
With: Evarossella Biolo, Marco Artusi, Beatrice Niero and Claudia Bellemo
Assistant director: Marco Artusi
Assistant Director: Nicola Perin
Manufacturing: Matàz Teatro, Febo Teatro, Dedalofuriso
Shakespeare was a grasp at discovering archetypal texts and shaping them to raised enchantment to his viewers; From this angle, Lear is paradigmatic: within the palms of the bardo, it turns into a textual content that displays the tensions and anxieties of post-Elizabethan England ravaged by conflict and epidemic. The seizure of energy had traditionally sparked inside wars and disasters, the interval of relative peace and safety gave the impression to be drawing to a detailed, and the British public watched the modifications with nice concern.
The Italians, particularly the Venetians, view the modifications happening with the identical concern: with the disaster, the parable of the Italian locomotive derails, the small enterprise seems to be microscopic within the context of the worldwide economic system and the nice fortunes of some teams, they’re uncovered to the challenges of the World and the succession of command challenged: The previous household buildings, the clan, don’t appear to be as much as all this.
On this sense, will probably be fascinating to elaborate a textual content that, ranging from the strong construction supplied by Shakespeare’s Lear, examines the modifications which might be happening in our area (to make higher use of the data of the genius loci), that are in truth , common.
The legacy of ‘proxies’, handover to new powers, patriarchy and girls’s ambitions, the conflict of mentality: work ethic to the bitter finish and sacrifice within the age of vulnerability; with Shakespeare the whole lot was already there to mud it off and reveal its radiant core.
Information – Ticket 5 €

September 10 at 9:15 p.m
SECRET BUFFO
by Dario Fo and Franca Rame
with Matthew Martelli
directed by Eugenio Allegri
Produced by Teatro Stabile di Torino and Artwork Quarium
Govt Manufacturing 2021-2022 ENFI TEATRO
Mistero Buffo is taken into account a masterpiece by Dario Fo. Eugenio Allegri conducts Matthias Martelli within the revival of this extraordinary work: the actor stands alone on the stage, with out tips, with the intention of involving the viewers within the dramatic motion that passes in a flash from comedian lasso to poetry to human tragedy social. A brand new and authentic language and interpretation within the title of custom of a style utilized by medieval fools to overthrow the triumphant ideology of the time and display its baselessness.
Information – Ticket 15 €

September 11, 9:15 p.m
I CAME TO PADUA LIKE ONE WHO LEAVES A POND TO DIVE INTO THE SEA
Tales of College students By way of the Ages
Curated by Andrea Pennacchi, Cristina La Rocca, Giulia Zornetta
in collaboration with Lorenzo Maragoni
Studying with Andrea Pennacchi, Giulia Briata and Lorenzo Maragoni, reside music by Giorgio Gobbo Born for the presentation of the Bo2022 database, which incorporates greater than 50,000 names of graduates in Padua from 1222 to 1989 with their locations of origin in Italy, in Europe and on the earth, the studying co-authored by Andrea Pennacchi and Lorenzo Maragoni, tells of the various group of women and men finding out in Padua and their encounter as a vital section of their mental {and professional} future.
A mirrored image, typically autobiographical, on the dwelling atmosphere of the scholars of yesterday and as we speak, on the lifetime of younger individuals in Padua and on how finding out has modified and may change their lives.
Information – Ticket 10 €

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Tel. 346 2279789, 339 7309922
odeodays@gmail.com

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