Three free performances of the award-winning theatrical efficiency Água Doce will present the general public with information about Brazilian rivers and the atmosphere. Created in 2018 by the Cia da Tribo, the music opens for the primary time in Rio de Janeiro and alludes to World Surroundings Day, celebrated on the fifth.
Exhibitions are scheduled for 10 a.m. at 10 a.m. on the Lão Cultural João Bosco in Vista Alegre, north of town; 11, at 17:00 and 19:00, on the Carioca Enviornment Jovelina Pérola Negra, in Pavuna, north of Rio; and on the twelfth, at 12:30 and 14:30, at Parque das Ruínas, in Santa Teresa, the central area of the capital.
The classification is free and the distribution of passwords will likely be performed one hour earlier than the beginning of the presentation, which is conditioned by the capability of the areas.
Cia da Tribo Cia da Tribo director Milene Perez, a theater trainer, advised Agência Brasil that the corporate works with 26-year-olds, accumulating, to date, a repertoire of ten lively reveals which have a robust reference to tradition. standard.
The play Água Doce got here from a listening play that Milene did with theater college students in a park. Throughout this work, one of many kids claimed to listen to the sound of water. Milene confirmed that the sound got here from a river that flowed underneath the positioning. After they lifted the lid of the house, there was a really sturdy reflection and notion of how kids see the rivers within the large cities. “Like one thing that smells and causes flooding, for instance,” Milene stated.
She led the dialog with the scholars to the theater group and so they determined collectively to create a narrative about rivers. To do that, they studied the straightening of rivers that came about in São Paulo and occurred everywhere in the nation, as an alternative of in search of to strengthen rail and river transport, together with giving choice to highway transport. “And the rivers that flowed by means of the cities received in the best way,” he stated.
Consciousness elevating The difficulty was then addressed, not in a didactic manner, however in a playful manner, with a view to elevate consciousness among the many kids, their mother and father and different individuals who watched the present. The corporate determined that a method to do that could be by means of massive dolls product of reusable supplies. Set up takes place on the road. The set has a river that passes by means of the center and the viewers is seated on either side, as in the event that they have been on the river financial institution, and turns into a part of the story.
Disclosure of contemporary water
The present Água Doce begins from the legend of Iara as a pretext to develop the problem of rivers. Iara lives in exile within the pororoca, which is the place the currents of a river meet the waters of the ocean. She notices how envy and greed can hurt nature, killing fish and drying up rivers.
The play makes use of folks figures to make individuals conscious of the significance of rivers flowing all through Brazil, and they’re typically underneath our toes, clogged or piped throughout a technique of rampant urbanization. Theater director and actor Wanderley Piras, who indicators the textual content with Milene, defined that the usage of poetic language permits the viewers to grasp the problems addressed on their very own.
The dolls signify folks figures equivalent to Cabeça de Cuia, Jaguarão, Pirarucu and Cobra Grande and have been made by the artist Adriano Castelo Branco. As a result of they get plenty of consideration from the viewers, the corporate leaves them uncovered after the reveals, making a sort of out of doors exhibition, Milene stated.
Instrument The theater director reminded us that water is our essential pure useful resource, important for the existence of life on Earth. However latest ecological disasters, such because the rupture of the Brumadinho Dam, which contaminated the Paraopeba River; or the oil spill within the Atlantic Ocean, which is damaging the whole marine ecosystem of the Northeast Coast and advancing into rivers and mangroves, confirms the necessity to discuss this to most of the people. Cia da Tribo believes that theater can deliver vital discussions, equivalent to environmental consciousness and conservation.
For the group’s director, the theater is a device for conserving pure sources. “The expertise we suggest with the theater includes an aesthetic expression that excites you, makes you doubt, sensitizes you, makes you check out one thing that, perhaps, every single day, you undergo and do not even take a look at. . Then, after you’ve such an expertise, it in some way touches your sensitivity, your gaze and you’ll not cross a river with out taking a look at it, with out eager about it. I feel that is the position of theater. ” The thought is to present voice to the rivers. We give voice to the rivers and the individuals of town get excited. Very onerous! he stated.
The Água Doce present has received a number of awards, together with the APCA Award for Greatest Avenue Efficiency and the SP Award for Stimulating Theater for Youngsters and Youth within the Sustainability class. He was additionally nominated for the seventh Aplauso Brasil Award for Greatest Efficiency for Youngsters and Younger Individuals. Within the state of São Paulo alone, the play was carried out in 80 parks. Milene Perez stated that the concept, if Cia da Tribo is sponsored, is to take the present everywhere in the nation.
The displays of the play Água Doce are sponsored by the social arm of the Tigre group (ICRH), by means of the Federal Regulation for the Stimulation of Tradition (Rouanet Regulation).
The Cia da Tribo Group from São Paulo, based by artists Milene Perez and Wanderley Piras, started its analysis on standard tradition in 1996. Its scenic language was developed by means of the research of Brazilian folks traditions, personalities and companies. The tales, songs, dances and puppets created by individuals from completely different areas of the nation are investigated, retained, recreated and staged, thus constructing a Brazilian theatricality.