“Dario Fo did not need to be an actor, I put cocaine on Strehler’s coffin” – Corriere.it

With Robert Scorranese

Director: “In ’68 I used to be towards those that opposed.” «With Franco Parenti the gorgeous journey of Piera Lombardo and the theater». Strehler? A visionary »,« On the funeral of Craxi Berlusconi he cried bitterly ».

Good, chaotic, all the time on the transfer. Nervousness as a temperament, and maybe there’s a cause: Andrée Ruth Shammah is the daughter of an escape. A Sephardic household from Aleppo, Jews who “escaped from the Arab pogroms, first discovered shelter on rooftops after which scattered world wide.” The Shammas got here to Milan, Andrée was born in 1948, “and maybe,” he says, “my mother and father didn’t even know what Milan was.” The concept was to go to Japan. However we stayed. ” 4 sisters, together with her: clever, spontaneous, theater lover. His father did one thing else: monetary investments, consultancy, in brief, he handled cash.

However she grew to become a valued director. How did it begin?

“I met Giovanni Testori for causes that had nothing to do with theater. Dad invested within the artwork world, Giovanni was obsessed with portray. For years I went to the Testori studio on by way of Brera within the afternoon. Espresso, talks about artwork and theater. It was my apprenticeship as a Jewish lady, however a scholar of the Catholic college, Milan, however from Aleppo. “

Milan within the Sixties was a language laboratory. Carlo Porta’s language was modified within the theater, Dario Fo’s “grammelot” appeared.

“And my first route was in 1973, zAmbleto Testori, the revolution of the idiom. However all the pieces modified with the ’68 protests: Strehler left Piccolo, Paolo Grassi needed to resume, he known as Franco Parenti. He requested me to develop into his assistant director, additionally as a result of Franco was very depressed. Lately, Benedetta Barzini left him, with whom he stated goodbye to his spouse and youngsters. At first I could not stand him: he irritated me along with his manner of talking. After which keep in mind that Marco Bellocchio was in Milan at the moment who was doing very good issues ».

Then bond with Franco. Really quick, from ’72 to ’73. However precisely fifty years in the past, you co-founded Salone Pier Lombardo, which has been known as Teatro Franco Parenti since 1989.

“And we made it a novel instance of a personal theater with a public perform. If I’ll work right here as we speak, I’ve to ask the followers. One thousand, two thousand, 5 thousand euros. And I am going personally, thank God, everybody acknowledges the standard of what we do ».

“Compliant. Agency in his concepts, nonconformist if obligatory, towards the tide. When he staged Claudel, the Catholic writer, PCI advised him about every of them. Oh God, the bigoted PCI didn’t even enable profanity in Carlo Porta’s texts. And even Dario Fo. he disagreed with Claudel, they mentioned it for a very long time, Dario tried to dissuade him. Franco stated to him: “You see Dario, you all the time do it your self and that is okay, however I haven’t got to repeat myself.”

What was the connection with Fo and Rame?

“Good. Dario studied structure and wrote sketches to help himself. Franco performed the character Anacleto fuel operator on the radio, on Corso Sempione, and in these days it was customary for younger authors to go away these playing cards with small scenes within the dressing room of acknowledged actors. Parenti was impressed by Dario’s abilities and invited him to the interview. He insisted: you need to be an actor. However Dario did not need to try this. In any case, he arrange an organization and will have lasted longer, however Franca dreamed of tv ».

What was Silvio Berlusconi like earlier than he grew to become Silvio Berlusconi?

“Hearken to this. One time Silvio meets Franco on a aircraft. She tells him:” Come and see me if you would like, I can open a theater for you. “Parenti returns to Milan and says to me:” I met an industrialist who needs to finance a theater, however I’ve the impression that he needs his personal theater. “Nothing got here of it. However I keep in mind that at Craxi Berlusconi’s funeral, he cried bitterly. Do not forget that when Craxi fell out of favor in Milan, there was not a socialist, all of them disappeared.”

Craxi. Is it true that he provided you to run the Teatro Stabile in Rome?

“And I stated,“ However what am I going to do in Rome if I’ve a theater right here in Milan? Fund it for me in case you can. However he couldn’t, and in brief, we had been a full cease, we took care of it ».

Have been the theaters additionally parceled out?

“And the way. However a minimum of you knew who did what. You possibly can say Gabriele Salvatore from the socialist space in Elfo. Parenti, nonetheless, remained exterior, we weren’t locked in a cage.”

Strehler. She knew him very nicely. For those who needed to inform it briefly?

«A visionary, an amazing man of the theater. I will inform you this. Maggio Musicale Fiorentino, rehearsing. Valentina Cortese tries to make him eat, sends me two trays of six rice muffins every. Gives him one. Impatient: “Cannot you see that I am working?” However within the meantime he reaches out and takes it. Every so often, he replenishes the lacking dough by drawing from the opposite tray. Ethical: in the long run, the instructor ate, however confirmed that he didn’t eat ”.

“At his funeral, Valentina and I positioned two traces of cocaine on the coffin to pay tribute to him. We owed him that. “

His subsequent nice supporter was Eduardo De Filippo. Is that so?

«I’ll always remember the time when he got here to the theater and in entrance of everybody he known as me ‘shamma’, which in Neapolitan means ‘flame’. He was stunning, additionally as a result of he was a help for a personality who was simple to assault: the lonely lady that many nonetheless maliciously labeled. Franco’s associate. However all the pieces was achieved on this theater ».

«After all, in packages devoted to youngsters. However we additionally did weddings. As we speak there’s a swimming pool, debates are organized ».

Weren’t you in ’68?

– No, quite the opposite, I sided with Paolo Grassi towards those that questioned him. Then again, I, a Jew, admired Cardinal Martini very a lot. All the time upstream “

August 27, 2022 (change August 27, 2022 | 16:49)

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