TOAST – The New Verdi Theater in Brindisi restarts with a season filled with novelties, within the signal of a extra diverse provide and affirmation of the standard stage of the proposal. A theater more and more built-in into the cultural, artistic and socio-economic cloth of the territory, that is the challenge thought on which the multidisciplinary provide of the Brindisi politeama relies, illustrated this morning throughout a press convention within the Corridor of the Capital of the Palazzo Granafei-Nervegna . The assembly was attended by the Mayor of Brindisi, Riccardo Rossi, the brand new President of the Nuovo Teatro Verdi Basis, Stefano Miceli, and the inventive director of the construction, Carmelo Grassi.
A theater that’s at all times nearer to the general public, open to new experiences of theatrical use, to diversifying its provide and to a more in-depth dialogue with the inventive realities of the area. But additionally a theater attentive to excellence, as evidenced by the comparability initiated by the Basis with the College of Salento, the United Nations Base and the Archdiocese of Brindisi-Ostuni, to boost their expertise and extra usually and consequently to the territory .
«It’s a defining second for the theater – mentioned Riccardo Rossi – which is resuming its path to revive the connection with the viewers after the plunge into the darkness of the pandemic. Verdi does it similtaneously the appointment of the brand new board, which could have the duty of consolidating the function of the theater in the neighborhood. I feel it is essential to proceed on the trail of openness and to combine the scene increasingly into the life and pursuits of the town. The municipality has activated an infrastructure funding program that can be accomplished in 2023 by intercepting particular calls to make the construction extra welcoming and environment friendly ».
“I want to thank the municipal administration – says Stefano Miceli – for his or her belief and the town councilors Andrea Vinciguerra and Marco Greco for his or her help in these first steps within the basis. We considered an unique cultural system that might attempt to diversify the provide to accommodate the completely different pursuits of the viewers and orient the theater as a lot as potential in direction of the neighborhood. An revolutionary challenge, because it is ready to get better the cultural expectations of the town and act as a pole of the artistic and inventive territory: that is how the Orchestra of the Nuovo Teatro Verdi was born with its personal symphonic season; in the meantime we’re engaged on a “Verdi Gala” to carry the theater to life with glamor; there can be a jazz present within the lobby and a collection of conferences on topical points and affiliation relations can be sponsored. We wish to provide extra alternatives for information, participation and schooling, as a result of the general public stays our most popular interlocutor: that’s the reason we’ll provide a number of advantages for subscribers and weaker social teams, in order that theater actually turns into an expertise for all.
“I thank the outdated board – concluded Carmelo Grassi – for the frequent path in a second of want and I want the brand new work all the very best within the mild of an articulated program whose fundamental thought I recognize, expressed to carry the theater to the purpose the middle of the territory. I confess that, given the difficulties affecting the theatrical market, which translate right into a scarce and gradual exercise on this planet of productions, it was not straightforward to arrange the season. Nevertheless, we have now tried to affirm the stability between genres and languages, with the same old consideration to the standard and originality of the productions.
Along with the basic season, the Verdi will provide you with productions that appeal to giant audiences. Baglioni is again on November twenty third with “Twelve word solo bis” and we have already got three from this system organized by “Aurora Eventi”: “Miracolato” with Max Angioni on December eighth, “Additional liberty” with Alessandro Siani on December twenty fourth. January and The Unusual Couple with Biagio Izzo on April 12. After which once more the dance with “Romeo and Juliet” by the Compagnie Zappalà Danza on October ninth as a part of “Brindisi Performing Arts” ».
On this state of affairs of the expanded provide, the primary novelty issues the “Verdi Gala”, a night conceived for the month of November as a tribute to the theater and devoted to the enjoyment of encounter, the sense of neighborhood that meets within the lobby Uncover Reinvent the theater and its conviviality, between a welcome aperitif and a live performance within the corridor with arias from essentially the most well-known operas by Giuseppe Verdi, interpreted by the well-known tenor Fabio Armiliato, probably the most profitable on the worldwide opera scene.
Music is given a particular place this 12 months with two extraordinary improvements. The Orchestra of the Nuovo Teatro Verdi is born with its debut on January 1, 2023 on the event of the New Yr’s Live performance. A symphony orchestra challenge that goals to supply younger musicians between the ages of 18 and 38 with a path of upper schooling as a second of progress and specialization. The orchestra’s exercise, which is adopted largely freed from cost by Maestro Stefano Miceli, envisages the deliberate participation of certified friends. Within the subsequent few days, the invitation to take part within the auditions can be revealed on the inspiration’s web site.
The second suggestion within the musical subject is “Verdi in Jazz”, a live performance evaluation of 4 month-to-month dates between November and February within the lobby of the theater. The intention of the exhibition is to combine the cultural provide of the town by means of the presence of musicians linked to Puglia however who’ve already achieved worldwide success and recognition. Life is loved within the lobby in a cocktail lounge with a glamorous ambiance.
The theater opens as much as the neighborhood with the convention program “The theater meets …”, a cycle of month-to-month encounters through which actors from tradition, science, data, leisure and music alternately meet within the lobby needs to share theater with its viewers, in line with the operate of an agora, which sees it as an open place for encounters and conviviality.
The Nuovo Teatro Verdi additionally devotes an unique area to the realities of the realm. After which it completes its provide with a “Theatre for Associations” section, which affords inventive and cultural associations the chance to make use of the lobby for initiatives to strengthen their enterprise (e.g. conferences, displays, laboratories, and so on.). Within the subsequent few days, the shape for the patronage utility can be made out there to the golf equipment.
The season of prose and dance couldn’t be lacking within the signal of the custom of the Brindisi Corridor, a path marked by the range of genres, together with theatrical classics, new variations, masterpieces of the 20 th century, modern dramaturgy. It begins on 18.11 with “Parsons Dance”, the American firm, which the viewers loves for its athletic and very important dance that conveys joie de vivre. That sixth of December Elio is the protagonist of the present “Ci takes ear”, a tribute to Enzo Jannacci, a present that could be a bit circus, a bit theatrical tune, through which Elio, accompanied by a band of 5 musicians, will “surf” by means of the repertoire by the beloved Milanese singer-songwriter.
II 10 centsor it is time for a basic of laughter like “If it’s important to inform a lie dilla grossa”, a theatrical textual content that has been staged each time for thirty years with nice public success: refreshed and “recontextualized”, this time with Paola Quattrini, Antonio Catania and Gianluca Ramazzotti. On the stage the January twenty seventh the comedy “Ditegli immer ja”, among the many first texts by Eduardo, within the new model by Roberto Andò, with Carolina Rosi and Gianfelice Imparato: a full of life opera whose protagonist is a methodical madman obsessive about perfectionism. The season goes on February fifth with “God is useless and I do not really feel so good both”, on stage Tullio Solenghi for a mixture of prose and music that immerses the phrases of the genius Woody Allen in his music. After 11 years, Ale and Franz return to Verdi il February 23 with the present “Comincium”, a hymn to restoration and the will for lightness. Milena Vukotic and Pino Micol are on stage the 14th of March with “So it’s (if you happen to assume so)”, a comedy directed by Geppy Glejieses through which the characters are lowered to a top of fifty cm by holographic strategies and struggle senselessly to find a fact that is not are.
II March twenty first involves Verdi’s “Manola”, from Margaret Mazzantini’s bestseller: Nancy Brilli and Chiara Noschese are two twin sisters, Anemone and Ortensia, who categorical their conscience in a sport of mirrors, misunderstandings and revenge. The couple Massimo Ghini and Paolo Ruffini brings the March 31 “Nearly Associates”, theatrical adaptation of the French comedy movie directed by administrators Olivier Nakache and Eric Toledano. The season ends on April nineteenth with “Zorro. A Hermit on the Sidewalk”, from the novel by Margaret Mazzantini, a monologue by Sergio Castellitto that tells the story of a wanderer in a position to see actuality by observing the lives of “regular” individuals in an incomparable manner .